Daniel Caesar

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About Daniel Caesar

With each song, Daniel Caesar reaches out and makes a connection. His debut album, Freudian was released on August 25, to an immense about of rave reviews. It is a compilation of melodies tied together to amplify the R&B singer’s distinct, soothing voice and writing skills. Upon debut, Freudian reached #1 on the ITunes charts and it’s lead single, “Get You” (Feat. Kali Uchis) recently hit Gold in both the U.S and Canada. Caesar’s musical style is a deep connection in the classic sense of R&B/Soul and its transcendent power to affect the very core of our existence. His voice, songwriting, and presence immediately elicit feeling, especially on the pair of 2017 singles “Blessed” and “We Find Love”—which The Fader praised as “Gorgeous.” Musicians from Chis Martin of Coldplay to Erykah Badu have celebrated Caesar’s work and Apple Music chose him to be September’s Up Next Artist. That level of connectivity is becoming a tradition for the artist. With jarring gospel undertones, heart- tugging guitar chords, and soothing harmonious vocals, his 2014

debut effort, Praise Break, earned critical acclaim and would be ranked in the 20 Best R&B Albums of 2014 by Rolling Stone. Caesar's follow-up project, Pilgrim's Paradise, was met with even greater praise, subsequently capturing the attention of both the Canadian and international music markets. Conveying moody anecdotes about life's most pertinent lessons - love, loss, faith, desire and determination, Caesar tells a coming-of-age tale that is not only relatable, but genuine. With raw talent and an unwavering mystic, layer by layer, Daniel Caesar is writing a melodic story rooted in his authentic self — a story that has only just begun.

TOKiMONSTA

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About TOKiMONSTA

As TOKiMONSTA, California producer Jennifer Lee’s charted a fascinating career over the past seven years, and Lune Rouge is her exhilarating next step. The third proper long-player from TOKiMONSTA is both a logical progression of her sound and a surprising left turn from an artist that rarely ceases to surprise. A smoky, patient, and altogether lovely collection, Lune Rouge mixes modern sensibilities with old-school sounds to make for a heady brew of moonlit music.

Lune Rouge is the culmination of all the experiences I've encountered so far," Lee explains the album's genesis, which she started work on in late 2015 before being diagnosed with a rare neurovascular condition called Moyamoya. A year later, after two major brain surgeries and extensive rehabilitation, Lune Rouge was finished. "During its creation, I faced some of the most difficult and uplifting moments of my life. Seeing myself at the edge of my own mortality and how I chose to move past is a story told in this album."

Lee collaborated with artists like Jessie Ware, Anderson .Paak, and Kelly Rowland, while also putting out several records on her own Young Art Records imprint that served as practical blueprints for the dusky environs of Lune Rouge. Mini-albums Desiderium from 2014 and last year’s FOVERE elegantly deployed pitch-shifted vocal samples to add new textures to the TOKiMONSTA sound, and in 2015 she added her capable touch to Turek’s own mini-album, You’re Invited. All these roads lead to Lune Rouge, a lush work that stands as the summation of what she’s been cooking up since Half Shadows.

Whitney

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About Whitney

Whitney make casually melancholic music that combines the wounded drawl of Townes Van Zandt, the rambunctious energy of Jim Ford, the stoned affability of Bobby Charles, the American otherworldliness of The Band, and the slack groove of early Pavement. Their debut, Light Upon the Lake, marks the culmination of a short, but incredibly intense, creative period for the band. To say that Whitney is more than the sum of its parts would be a criminal understatement. Formed from the core of guitarist Max Kakacek and singing drummer Julien Ehrlich, the band itself is something bigger, something visionary, something neither of them could have accomplished alone.

Whitney was born from a series of laidback early-morning songwriting sessions during one of the harshest winters in Chicago history, after Ehrlich and Kakacek reconnected - first as roommates splitting rent in a small Chicago apartment and later as musical collaborators passing the guitar and the lyrics sheet back and forth. “We approached it as just a fun thing to do. We never wanted to force ourselves to write a song. It just happened very organically. And we were smiling the whole time, even though some of the songs are pretty sad.” The duo wrote frankly about the break-ups they were enduring and the breakdowns they were trying to avoid. Each served as the other’s most brutal critic and most sympathetic confessor, a sounding board for the hard truths that were finding their way into new songs like “No Woman” and “Follow,” a eulogy for Ehrlich’s grandfather.

Classic and modern at the same time, they revel in concrete details, evocative turns of phrase, and thorny emotions that don’t have exact names. These ten songs on Light Upon the Lake sound like they could have been written at any time in the last fifty years. Ehrlich and Kakacek emerge as imaginative and insightful songwriting partners, impressive in their scope and restraint as they mold classic rock lyricism into new and personal shapes without sound revivalist or retro. “I’m searching for those golden days,” sings Ehrlich, with a subtle ripple of something that sounds like hope, on the track “Golden Days”. It’s a song that defines Whitney as a band. “There’s a lot of true feeling behind these songs,” says Ehrlich. “We wanted them to have a part of our personalities in them. We wanted the songs to have soul.”